My Library: January 2014

Wednesday, January 29, 2014

[G251.Ebook] Free PDF Ayrton Senna: The Whole Story, by Christopher Hilton

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In this meaty paperback, published to mark the tenth anniversary of Ayrton Senna's death, Christopher Hilton marries and updates four of his earlier titles about the legendary driver into one volume of more than 100,000 words. He chronicles Senna's entire story, from the wealthy childhood in Brazil to his fatal crash in 1994.

It is a fast-moving and comprehensive account of an extraordinary life that will appeal to the wider public as well as to Senna fans.

Sales Rank: #863850 in Books
Published on: 2004-08-12
Original language: English
Number of items: 1
Dimensions: 7.75" h x 1.25" w x 5.00" l, .74 pounds
Binding: Paperback
384 pages

Review
'definitive work on the great man' Octane

About the Author
Christopher Hilton is the author of numerous high-quality books about motor racing subjects, including biographies of Michael Schumacher, Ayrton Senna and Murray Walker. He lives in Sawbridgeworth, Hertfordshire, England.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great man, badly written biography
By westernmom
The man was amazing, and he deserved something better than this sloppy, badly written biography. There is no doubt but that the writer admired Senna, and clearly has a thorough knowledge of his career. However, he is not a skilled biographer in the professional sense of the word, and there are some truly awful passages that make one cringe. The editor was obviously asleep at the wheel on this one, which is a great pity.

1 of 2 people found the following review helpful.
Great Read...Senna Fan, Or Not
By Nikki
I'm a fan of Ayrton Senna and Formula One as well, but you don't have to be either to enjoy this biography that profiles a very unique soul. Christopher Hilton attacks the task of writing the book from the interesting angle of quoting other people's Senna encounters (while mixing in his own as well as Senna's for good measure), but literally using the method as at least 80% of the narrative. It put me off at first, but I quickly warmed to the style. I was impressed with the in-depth study of Senna, breaking his thinking patterns down, and somewhat debunking his legendary enigma. Vivid descriptions of his plight and passion, fully allow the reader to understand his motivations in all aspects of his life, while also portraying him as he was meant to be seen among Senna scholars like myself...as an intelligent, regular man who did extraordinary things. Overall it's a well-written and moving story that I enjoyed, as well as my family - none of whom knew a thing about Senna or F1. I believe anyone who buys this book will read it from cover to cover, feeling completely satisfied.

16 of 17 people found the following review helpful.
Unbiased and thorough
By Pablo M. Coronel
Very thorough recount of Sennas life by someone who followed his carreer closely.
Each of the events are well written and exceprts of interviews from all the sides are included. Very unbiased !
It took me a few days to read, I enjoyed and my heart leaped with excietement remebering each season, each headline, etc.
A fantastic recollection of the Incident in Suzuka, and of "the lap" at Donnington.
But as soon as I arrived to Saturday Apr 30th 1994 my eyes were filled with tears and had to put the book back.

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Tuesday, January 21, 2014

[S500.Ebook] Ebook Managing Organizational Culture for Effective Internal Control: From Practice to Theory (Contributions to Management Science), by Jan Pfis

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In times of economic and financial crises, the content of this book rings true. Drawing from interviews with executives, senior managers and/or auditors from renowned companies (eBay, Google, Hewlett Packard, Intel, Levi Strauss & Co., Microsoft, Novartis and many others) and theory from fields of sociology and social psychology, this research study provides an understanding of how "tone at the top" imprints on an organization and why that imprint works. More specifically, it discusses how managers' principles and practices can actively shape an open-minded culture that enhances effective internal control.

Sales Rank: #10707543 in Books
Published on: 2011-10-31
Original language: English
Number of items: 1
Dimensions: 9.25" h x .61" w x 6.10" l, .84 pounds
Binding: Paperback
245 pages

Review
"This book is a "must read" and provides a valuable resource for board members, senior management, operations management, systems designers, auditors, consultants, or other internal control practitioners."
H.C. "Pete" Warner, CPA, CIA, CICP, President Internal Control Institute

"It is now accepted that organizational culture has an important impact on management practices. But Dr Pfister's book makes substantial progress in detailing precisely how differences in culture impact on the design and use of management control systems. It will be of significant use to both business controllers and to academics try to advance our understanding of this important area."
David Otley, Distinguished Professor of Accounting & Management (Emeritus), Lancaster University Management School, UK

"Many professionals see the only relationship between Culture and Control in the fact that both start with a "C". They could not be more wrong. This highly recommendable book provides key insights on the close link between the two. ... This book also demonstrates why Finance and HR must start talking to each other instead of practicing disconnected performance management from inside their isolated silos."
Bjarte Bogsnes, Vice President of Performance Management Development, Statoil, Chairman, Beyond Budgeting Round Table Europe

From the Back Cover

In times of economic and financial crises, the content of this book rings true. While we often look at formal compliance procedures, incentive systems and other ‘technical’ ways to ensure effective internal control, this study emphasizes a different perspective: How do the management principles and practices influence organizational culture in order to enhance control effectiveness? New theory is provided on the way that tone at the top – leadership, sustainability, accountability, and other social control aspects – is combined with formal control. The research is based on in-depth interviews with senior-level people (e.g. executives, managers, auditors) from more than 18 renowned U.S. and Swiss companies, and theory from fields of sociology and social psychology. In contrast to contemporary accounting and control research, where culture provides a context for control, here any control mechanism can in turn influence culture. The study offers innovative insights for both academics and practitioners including:

a) a new research framework for analyzing the links between culture and control;

b) statements from senior-level people of eBay, Google, Hewlett Packard, Intel, Levi Strauss & Co., Microsoft, Motorola, Novartis and many more;

c) a practice-oriented tool to proactively mitigate typical roots of internal control failures;

d) integrated theory on social systems, personal and organizational values and organizational corruption;

e) a foreword from Solomon N. Darwin, University of California at Berkeley.

About the Author
Dr. Jan Pfister is Assistant Professor at the Department of Accounting and Finance at Lancaster University Management School, UK. His research focuses on performance measurement, management control and organizational culture in medium and large multinational companies.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Not the entire book!!
By Kelly Hale
Do NOT purchase this. This is a 14-page executive summary that can be downloaded from the internet for FREE! It is NOT the entire book, so this is very misleading. For the same money, you could get the Kindle digital edition. I would almost rate this a 'bait-and-switch'...I am very angry and feel betrayed.

0 of 1 people found the following review helpful.
Tearing down the silos
By Bjarte Bogsnes
The only relationship many see between Culture and Control is that both start with a "C". They could not be more wrong. This highly recommendable book provides key insights on the close link between the two. Culture eats traditional control mechanisms for lunch, and can never be disregarded if we want to move beyond all our illusions of control. This book also demonstrates why Finance and HR must start talking together instead of practicing disconnected performance management from inside their isolated silos.

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Tuesday, January 14, 2014

[B539.Ebook] Ebook A Short Guide to Writing about Literature (12th Edition), by Sylvan Barnet, William E. Cain

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Part of Longman's successful Short Guide Series, A Short Guide to Writing about Literature emphasizes writing as a process and incorporates new critical approaches to writing about literature. The twelfth edition continues to offer students sound advice on how to become critical thinkers and enrich their reading response through accessible, step-by-step instruction.

Sales Rank: #243444 in Books
Published on: 2011-07-08
Original language: English
Number of items: 1
Dimensions: 8.20" h x 1.20" w x 5.50" l, 1.00 pounds
Binding: Paperback
408 pages

From the Inside Flap
Preface

Favorable response to the sixth edition has allowed me to revise the book again. Many changes have been made throughout, but the most obvious are:

The increased amount of writing by students— annotations, preliminary notes, entries in journals, drafts, and complete essays Amplified checklists with questions that writers can ask themselves in order to generate ideas for essays Amplified discussions of current critical approaches, for example, Gender (Feminist, Gay and Lesbian) Criticism, Myth Criticism, New Historicism Chapters on What Is Literature?, What Is Interpretation?, and What Is Evaluation? Bibliographic suggestions concerning criticism and interpretation Suggestions about writing with a word processor

Part One (four chapters emphasizing the close connection between reading and writing) assumes that we can't write well unless we can read well. If nothing else, we must be able to read our own prose thoughtfully. Reading, after all, is a way of getting ideas for writing. These early chapters emphasize the importance in the writing process of such activities as annotating a text, brainstorming, keeping a journal, and (especially) asking oneself questions in order to generate ideas. (Oddly, these activities are often called "pre-writing," but in fact they are part of the process of writing.) Explication and analysis are discussed and illustrated with examples.

Part Two, on thinking critically about literature, is almost entirely new to the book. It looks at some definitions of literature, considers the relationships among interpretation, meaning, and evaluation, and then offers a survey of some of the chief critical approaches.

Part Three, on writing about essays, fiction, poetry, drama, and film, introduces the reader to the elements of each genre, but looks back to Part One and provides some drafts and essays by students on representative works. In accordance with the assumption in Part One that asking questions is an invaluable way of getting ideas, each chapter on writing about a genre concludes with a checklist of questions that readers may ask themselves as they read, reread, and think about a work.

Part Four contains three chapters. The first of these, "Style and Format," is a fairly short and direct approach to the elements of clear writing. It treats such matters as denotation, connotation, subordination, paragraphing, and so forth. The latter part of the chapter, devoted to manuscript form, is concerned chiefly with mechanical matters, ranging from the form of the title of an essay to advice on how to introduce quotations. The second chapter in this section, "Writing a Research Paper," includes material on discovering a topic and thesis, on finding material (not only through printed bibliographic guides but also through materials on line and on disc), on using a word processor in writing a research paper, and on the MLA system of documentation. The third chapter briefly discusses essay examinations.

Three appendixes conclude the book: The first includes two stories ("Araby' and "The Lottery") that are the subjects of student essays, the second provides a glossary of literary terms, and the third offers a checklist for writing with a word processor.

I hope that the preceding remarks adequately describe the scope of the book, but some further words must be added. Dr. Johnson said,

There is not so poor a book in the world that would not be a prodigious effort were it wrought out entirely by a single mind, without the air of previous investigators.

I cannot name all of the previous investigators who have helped shape my ideas about literature, about writing about literature, and about teaching writing, but I must acknowledge my indebtedness to Morton Berman, William Burto, and Marcia Stubbs, who never tire of improving my pages, to Lee Edelman, who contributed part of the discussion of gay and lesbian criticism, and (at HarperCollins) to Robert Ginsberg, Judith Leet, and Lisa Moore. Others, who offered valuable help when I revised earlier editions, include Rebecca Argall, James Blake, Randall Brune, David Cavitch, Warren Chelline, Charles Christensen, William Evans, Shearle Furnish, Bruce Golden, Okey Goode, Patricia Graves, Dean Hall, James Heldman, Deena Linnett, William T Liston, Janet Madden, Gratia Murphy, J. M. Pair, Diane Quantic, Virginia Shale, Isabel Bonnyman Stanley, and Tom Zaniello.

When I thought that the manuscript for this edition was in satisfactory shape, the publisher sent it to the following reviewers, all of whom offered valuable suggestions that I have now incorporated into the text: Ann Andrews, Mississippi State University; Robert Evans, Auburn University at Montgomery; Sarah Favors, South Carolina State University; Anita Obermeier, Arizona State University; Judy Stokes, Southside Virginia Community College; Juanita Smart, Washington State University; Christopher Thaiss, George Mason University; and Susan Wing, University of Nebraska Lincoln. One other reader of the manuscript must be singled out for special mention, William Cain of Wellesley College, once my student and now my teacher. His abundant and penetrating annotations of the manuscript have amply repaid me for whatever annotations I put, years ago, on his undergraduate essays.

SYLVAN BARNET

From the Back Cover

New features of this edition include: chapters on critical approaches and evaluation of literature expanded checklists for writing and reading a new sample research paper the most current MLA guidelines

Most helpful customer reviews

21 of 21 people found the following review helpful.
Useful for Non-Majors
By David S. Goldstein
I teach literature to undergraduate students majoring in interdisciplinary arts and sciences, business, computer science, and nursing. Since I can't count on them having had training in writing about literature, I often assign specific sections of this text, or make it recommended reading for students with less confidence in writing about literature.

My students almost universally praise this text, and I think *their* opinions, rather than those of us teachers, are the ones that really count. They find the specific, nuts-and-bolts suggestions useful, and the explanations clear and helpful.

I recommend this text to any student (high school or college) who wants a concise guide to writing about literature, and any teacher or professor whose students usually lack a solid background in literary study.

5 of 7 people found the following review helpful.
Updated Edition is (Slightly) Better
By L. G. Sincebaugh
The back of the 11th edition gives five reasons why this edition is better than the other ones. I disagree that the 11th edition is that much better than the 9th edition, which I also have. The paper cover of the 11th edition feels flimsier and weaker.

The back of the 11th edition claims there are five (good) reasons exclusive to the 11th edition as to why you should buy it. The written explanation for the first reason could be both simpler and clearer: "A new introduction in Chapter 1 explains writing as a process in which you argue with--and ultimately explain something to--yourself." Arguing with yourself does not sound either safe nor advisable, especially if you are having a bad day. Explaining things to yourself sounds like one needs help of the non-literary kind.

Reason number two sounds good: "An updated chapter on print and electronic research [offering] advice..." This is nothing new, but why shouldn't the reader benefit from another's digital wisdom? The amount of digital information available on the Web grows exponentially faster than one can keep up with.

Reason number three (sounds like door number three) is from the more is better paradigm: Twenty model student essays--including three new to this edition... This is a very good feature of this writing guide. I never counted how many there were in the 9th edition, but in this case, more is better. Generally, I have found the example essays, analysis and explications to be of great help, except for the section on meter, which I found just as difficult as the 9th edition's explanation.

Reason number four: "Updated bilographical references..." More of the more is better paradigm. Can't complain with that.

Reason number five (the last one): "New and expanded 'Rules for Writing...'" Almost every How to Write book or textbook I have looked at contains a section like this, so, I have to say this is nice but nothing really new.

I gave this new edition four stars out of five. The first reason didn't make sense and, I thought, needed re-writing to be clearer thus more helpful and/or convincing. The real reason for why you, or anyone else should buy this book, is that it is very good at taking a subject, which can be made as complex or as simple as you desire, and breaking it down into smaller, more productive and clearer steps, which should help you write better. I recently bought two copies of the 11th edition, one of which I gave to a student, and the other, I have to admit--I kept for myself. And that is my second reason for why you should buy this book. It is good enough, even though the 9th edition was not broken and needed repair, that I bit the bullet and kept a copy for myself. This is one of the more helpful reference and How to Write, self-help books available.

P.S. I was not an English major and this book series did a very good job at answering most of the questions I have and have had.

3 of 4 people found the following review helpful.
A mostly good intro. to college writing/literature
By R. Ferrell
"A Short Guide to Writing about Literature" is a good little introduction to college-level writing skills and literature that is often taught at the college level. Helpful for those who struggle with writing, but not necessarily useful to individuals who already have good writing skills. The biggest drawback is the constat "you can do it!" attitude. Could be helpful to some who need that extra push, but I found it a little demeaning.

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Saturday, January 11, 2014

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“You will own a piece of art history” —Quintessentially, London

A tribute to one of the 20th century’s most influential, intriguing and controversial photographers

SUMO was a titanic book in every respect: it broke records for weight, dimensions, and resale price.

Helmut Newton (1920–2004) always demonstrated a healthy disdain for easy or predictable solutions. SUMO—a bold and unprecedented publishing venture—was an irresistible project. The idea of a spectacular compendium of images, a book with the dimensions of a private exhibition, reproduced to exceptional page size and to state-of-the-art origination and printing standards, emerged from an open, exploratory dialogue between photographer and publisher.

With the physically commanding SUMO weighing in—boxed and shrink-wrapped—at 35.4 kilos, Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.

Published in an edition of 10,000 signed and numbered copies, SUMO sold out soon after publication and quickly multiplied its value. This worldwide publishing sensation now features in numerous important collections around the world, including New York’s Museum of Modern Art. Legendary SUMO copy number one, autographed by over 100 of the book’s featured celebrities, also broke the record for the most expensive book published in the 20th century, selling at auction in Berlin on April 6, 2000 for 620,000 German Marks – approximately € 317,000.

SUMO established new standards for the art monograph genre, and secured a prominent place in photo-book history. This new edition, carefully revised by June Newton, is the fulfillment of an ambition conceived some years ago by Helmut Newton. He would surely be pleased that, a decade on from its first publication, SUMO—now in a format that allows for a more democratic distribution—will reach the widest possible audience.

However, proud owners of the new edition won’t wrestle with their copy of SUMO. It comes with a unique stand for displaying the book at home and includes a companion booklet.

Text in English, French, and German

Sales Rank: #147830 in Books
Published on: 2009-09-21
Original language: English, French, German
Number of items: 1
Dimensions: 4.00" h x 12.00" w x 17.00" l, 15.75 pounds
Binding: Hardcover
464 pages

Amazon.com Review
Bringing an entirely new slant to the concept of the coffee-table book, SUMO is a suitably enormous homage to 79-year-old Helmut Newton, the master of subversive and erotic photography. "I wanted to build a monument to the most important photographer of the 20th century," comments Benedikt Taschen, the publisher behind SUMO. He delivers. Weighing over 65 pounds, measuring more than two feet long, and breaking any previous size record in book publishing, SUMO contains 480 pages of every aspect of Newton's outstanding career in photography. Each copy of the book is bound by hand and numbered and signed by the artist. In order to showcase this colossus, the book is packaged with its own stand designed by Philippe Starck.

This outsized volume contains the body of Newton's controversial yet iconographic work, documenting fashion, fetishism, and above all an overriding obsession with voyeurism that can make the viewer feel complicit or uneasy by turns. Newton himself describes SUMO as "terrifying and outrageous. I don't even look at it as a book.... I look at it as an object." --Catherine Taylor, Amazon.co.uk

From the Publisher
"HELMUT NEWTON'S SUMO WINS INTERNATIONAL CENTER OF PHOTOGRAPHY'S 1999 INFINITY AWARD AT MAY 11 CEREMONY

Helmut Newton's SUMO published by TASCHEN has been judged the Best Book on Photography Published in 1999 by world-renowned International Center of Photography.

SUMO, the biggest and most costly book ever produced, was judged best in a field of outstanding photography books published in the last year of the 20th century. Conceived as a monumental tribute to Helmut Newton, arguably the most influential and controversial of contemporary photographers, SUMO has become a star in its own right by winning this honor in a field filled with worthy books devoted to photography."

About the Author
Helmut Newton (1920-2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, and became celebrated for his controversial scenarios, bold lighting, and striking compositions in street or interior settings, rather than studios. His many titles and awards included Commandeur de l Ordre des Arts et des Lettres.

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14 of 18 people found the following review helpful.
The Centerpiece of my Apartment
By A Customer
Having just received my copy of Helmut Newton's SUMO all I can say is AMAZING. This is not just a book, but a work of art. As a bibliophile I felt I had to have what I believe is the most important book published this century...and I was not let down. The reproduction in the book is as good as I've seen and the book and stand make a beautiful addition to my apartment...a coffee table book with it's own coffee table....fabulous.

46 of 51 people found the following review helpful.
Book of Beautiful "Big Nudes"
By James R. Holland
"Sumo" is a wonderful collection of the best of Helmut Newton's unique vision. Fortunately, this edition is not as large and heavy of the original edition about which the fascinating documentary film was made (it's worth renting the film to see). If this was the original edition("Helmet Newton's SUMO") it would be too big and too heavy for the coffee table and would need a special reinforced reading stand just to comfortably view the photographs. That original edition also had a hefty retail price in the $5,000 range. That original edition is now selling for $14,000 new and $9,353 used. This edition is actually a much more practical photographic book. And it won't collapse most people's coffee table. It's also a bargain price-wise.
Helmut Newton had a fascinating life and his autobiography/memoir ("Newton Helmut: Autobiography") is also an amazing read. (Feel free to read my Amazon Review of that volume). It's great because the book documents his escape from Nazi Berlin and his flight around the world to escape the Nazi Death Squads. He obviously did escape but only because he became a nomadic gigolo and that tale (no pun) provides glimpses into the famous photographer's personality. It helps the reader understand why every Jew living in Germany didn't immediately flee the country before it was too late for millions of them.
The biography also tells the stories behind many of the photos in "Sumo." Now that "Sumo" is available at a reasonable price, every serious fan or collector of Newton's work needs to add it to their collection. Ditto for his "Autobiography" if a copy can be located.

130 of 140 people found the following review helpful.
Poor production values let this book down.
By Zendicant Pangolin
I remember seeing the original version of Sumo at a Powell's bookstore and wanting it very much. I woulda, coulda, shoulda bought it but its huge size killed the deal; there was just no where that I could safely store it.
Thus, when I stumbled upon this book here on Amazon it took me all of 30 seconds to decide to pull the trigger. Why the hesitation? Primarily because it is a Taschen publication and I have been disappointed by the quality of nearly every Taschen book I have ever handled. This one, unfortunately, is no different, and I believe that I shall return it for a different and, said hopefully, better copy for that reason (One of the pages in my book has errant ink lines running up a quarter of the page from what looks like a roller). I also have a problem with Amazon for shipping me a book with a large tear in the custom made carrying case in which the book comes, by the way, indicating crappy quality control.
This is a an oversized folio book, large and heavy and imposing like the original in miniature. Its immensity indicates that it needed the space in order to do the photographic images justice. Well, I suppose that it does but the problem is that the plates are mealy looking, especially those in the front part of the book. I don't have the original to compare them to but I suspect that this granularity is due to poor reprodutions in the book and not from the original plates; although it is conceivable that the images lost some sharpness due to being blown up, but barely.
Instead, I would argue, based upon my experience with Taschen specifically and Printed in Italy artbooks generally that the fault lies in the Italian printers. These days the best art books are produced in Germany or Japan. Back in the old days it would have been France and in second place Switzerland and USA. Prestel seems to consistently do the best art books these days and it causes me to wonder what the book would have been like if published by them.
Anyway, you still ought to own this, I think, if you collect art books and you must own it if you collect art photography books.
While a lot of the images are seemingly banal or a bit facile, others have a quirky absurdity or stark profundity that cause one to really look twice at these images.
Interestingly, Newton's portraits are often absolutely brilliant. I think that the female Rolling Stone photographer whose name escapes me is generally the most reknowned portrait photographer but I think it would be tough to argue against Mr. Newton's genius.
His Hockney is sublime, among others, one of his Taylor portraits captures her genius/appeal completely, and actually there are a dozen portraits that seem to have completely captured the essential nature of his subjects (Marianne Faithful, Marie LePen). Others are just inexplicably fantastic (Warhol...hmmm one wonders if there was professional envy/competition between the two, and John Malchevic whose filmic nuttiness is captured perfectly). I could go on but you get the picture.
To be honest, I initially hoped and anticipated that the book would have a lot of this nudes because I can't think of another photographer who can put so much blatant sexuality into supposedly high fashion soft-core photographs. The overall quality of the non-nude pictures more than makes up for their absence.
If the book itself were of higher quality it would deserve five stars.

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Friday, January 10, 2014

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Daily Reflections for Highly Effective People: Living the 7 Habits of Highly Effective People Every Day [Paperback]Stephen R. Covey (Author)

Published on: 1994
Binding: Paperback

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Sales Rank: #5145788 in Books
Brand: Brand: Lippincott Williams n Wilkins
Published on: 2002-04-15
Original language: English
Number of items: 1
Dimensions: 1.25" h x 6.20" w x 9.18" l,
Binding: Paperback
864 pages

Features

Used Book in Good Condition

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Sales Rank: #4518089 in Books
Published on: 2015
Dimensions: 11.00" h x 1.12" w x 8.00" l, 2.69 pounds
Binding: Paperback
551 pages

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42 of 43 people found the following review helpful.
If you only want to use one book, this is it
By David C.
This is obviously the must-have book to prepare for your SWE/SDE interview. I have some small quibbles with how some of the problems were worded, but the level of difficulty is very representative of what the big tech companies are using. You might even run into these questions in your own interviews since Gayle is choosing questions that are popular among interviewers today. If you have time, you should of course pick up an algorithms textbook also. I recommend Skiena's The Algorithm Design Manual and Sedgewick's Algorithms (4th Edition) textbooks. The classic Cormen is too verbose and proof-heavy for the purposes of preparing for an interview.

The DP solutions in this book are not actually tabular DP formulations--I recommend looking at the problems here http://people.cs.clemson.edu/~bcdean/dp_practice/ (Brian Dean's Dynamic Programming Practice Problems). Gayle presents memoized solutions, which are much easier conceptually but not as clean or performant as bottoms-up tabular solutions.

7 of 7 people found the following review helpful.
If (readThisBook) { $percentGettingJob = 99.999%; }
By John Mangahas
This book alone was/is the reason I was hired at my current job. I repeatedly would get to the last round and then lose out on the hiring. The feedback was always that I needed to sharpen up on solving questions or I wasn't quick enough in my answers. I am a 10+ years software engineer and am very far removed from college level questions which many interviewers tend to ask. No matter how much you think it is unnecessary for the job at hand, these are questions that help the interviewers find out how you think and solve questions (and also figure out your personality and fit with the team). With that said, this book helped me figure out the EXTRA step in finding the correct answers. Every interview question has multiple correct answers, and it is up to you to find the best answer in the quickest amount of time. I was floored to see every question I was asked in previous interviews were exactly or very very similar to the questions in this book. I super highly recommend reading this book before starting your job search. Good luck!

62 of 66 people found the following review helpful.
Great but needs a kindle/ebook format
By mtn rider
This book helped me land a job at well known internet company. I got several offers and without doubt this book helped. The specific coding questions that I would have failed outright on had I not read the book include: breadth first search/shortest path, fundamentals of hash tables, and recursion (fibonacci). Before reading this book I thought I understood recursion but there's a lot I hadn't considered. I worked through many of the code exercises and would review some of the chapters before interviews, including big-O. There are some areas that I feel deserve more attention, like heaps, but overall it covers most of the fundamentals. There are some typos which I found annoying.

The only reason I can't give 5 stars is this should be available in a ebook format. I don't buy physical books anymore since it's just a pain to lug around/store and as a result, they are often forgotten. And I've loaned this book to so many people they're really losing money buy not offering it on Kindle, which I would not be able to share.

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Stephen Greenblatt has been at the center of a major shift in literary interpretation toward a critical method that situates cultural creation in history. Shakespearean Negotiations is a sustained and powerful exemplification of this innovative method, offering a new way of understanding the power of Shakespeare's achievement and, beyond this, an original analysis of cultural process.

Sales Rank: #3876462 in Books
Brand: Brand: University of California Press
Published on: 1992-07-01
Number of items: 1
Binding: Hardcover
216 pages

Features

Used Book in Good Condition

Review
"["Shakespearean Negotiations], so sharp on cultural stereotypes and on the abuse of power, should be read by all students of history and literature, by all thinking men and women."--E.A.J. Honigmann, "New York Review of Books

About the Author
Stephen Greenblatt is The Class of 1932 Professor of English Literature at the University of California, Berkeley.

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22 of 24 people found the following review helpful.
Shakespeare in the Marketplace
By A Customer
Published over a decade ago, this book has become not only a classic in Shakespearean study but also the exemplary of the "new historicism." Even nowadays it does not lose its refleshing power, and never fails to stimulate controversies (e.g. the issue of subversion and containment) that still continues well into the new millenium. Greenblatt has been criticized for homogenizing the history and sacrificing the complexity of the text (for an alternative model of new historicism, one can refer to Louis Montrose's articles and his book "The Purpose of Playing: Shakespeare and the Cultural Politics of Elizabethan Theatre"), but still he has successfully made a strong case for his major argument, namely that Shakespeare, far from a single-handed isolated individual genius coming from nowhere, heavily drew upon the cultural resources and "social energy" circulating among various domains beyond the boundaries of theatre and literature. Greenblatt is very deft in reconstructing the historical and ideological context that enriches the Shakespearen play. Time and again readers feel that the historical anecdote Greenblatt talks about even eclipses the play itself with its magic power of invoking wonder, which might make even those sympathetic readers like Frank Kermode complain that the part on Shakespeare in this book is less interesting than the part on history. But isn't this refocusing of interest not exactly part of demystifying the notion of genius and his sacred writing in order to appreciate Shakespeare more as a negotiator in the marketplace who purchases and exchanges symbolically? The last chapter on "Tempest" is especially highly recommended for its skillful intermingling of the issues of ruling strategy by means of inciting anxiety, colonial (counter)history, the space of theatre and finally the institutionalisation of literature.

16 of 18 people found the following review helpful.
Unsurpassed Shakespeare criticism
By Richard Burt
Although Greenblatt as received a good deal attention for his interest in critical practice and for his coining of the terms "New Historicisim" and "cultural poetics," his real strengths ahev also ben doing close readings of literary and historical texts. In Shakespearean Negotiations, Greenblatt offers typically brilliant and engaging readings of some of Shakespeare's major plays. His book is of interest to a wide audience beyond an academic one. The man is an exceptionally gifted writer and storyteller. It's a pity that so few other literary and cultural critics even come close to matching him. Perhaps only Stephen Orgel and Stanley Fish have equally brilliant prose styles and analytical powers.

15 of 22 people found the following review helpful.
Shakespeare as a social energy
By A Customer
Writing today a book that still has something to say about Shakespeare is hard on our days. This is the reason why one can consider this book outstanding. Nonetheless, I have read many recent books about Shakespeare and I consider that behind the interesting concept of social energy lies an excessively skeptic version of Shakespeare. I can agree that Shakespeare's preeminence in the canon is largely due to the circulation of social energy, but I think that many of the richness of Shakespeare is too reduced to this factor. The book is an excellent reading for anybody interested in Shakespeare but requires some balancing. My recommendations would be the heterodox book by Rene Girard and the passionate and excessive approach of Bloom. This triad gives an excellent approach to contemporary theses on Shakespeare with complete counterarguments that neutralize the radical points of view of the three authors.

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Essential Introduction to Computers . Cengage Learning, 2007.

Published on: 1709
Binding: Paperback

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Call it Bird University. This gloriously illustrated volume provides comprehensive college-level information about birds and their environments in a style accessible to nonscientists and teachers the world over.

The Handbook of Bird Biology covers all major topics, from anatomy and physiology to ecology, behavior, and conservation biology. One full chapter addresses vocal communication and is accompanied by a CD of bird vocalizations. Produced by the Cornell Laboratory of Ornithology's world-renowned Macaulay Library of Natural Sounds, the CD illustrates key elements of bioacoustics.

The book's text was written by 12 leading ornithologists and illustrated by respected photographers and acclaimed artist John Schmitt. It includes an extensive glossary and index, a list of the common and scientific names of all birds mentioned in the text, author profiles, suggested readings following each chapter, and a complete reference section.

The Handbook serves as the backbone of the Lab's popular Home Study Course in Bird Biology, a self-paced course that can be taken from anywhere in the world, by anyone with a serious interest in birds who would like guidance from professional ornithologists.

Comprehensive and readable guide covering all major topics

Free CD of bird vocalizations enclosed

Extensive glossary and index

List of all common and scientific names

Suggested readings

Complete reference section

Companion to the Cornell Laboratory of Ornithology's popular Home Study Course in Bird Biology

Sales Rank: #1341564 in Books
Published on: 2004-11-21
Original language: English
Number of items: 1
Dimensions: 2.60" h x 8.84" w x 11.06" l,
Binding: Hardcover
1248 pages

Review

Winner of the 2004 Best Ornithology Book, Worldtwitch

"If you really do want to know everything about birds, turn to the second edition of the Cornell Lab of Ornithology's Handbook of Bird Biology, which for really keen readers comes in conjunction with a home-study course in the subject."--Stephen Moss, The Guardian

About the Author
Cornell Laboratory of Ornithology is a nonprofit membership institution working to understand and conserve the earth's biological diversity through research, education, and citizen science focused on birds.

Most helpful customer reviews

38 of 38 people found the following review helpful.
3rd Ed comming in 2015
By hilljack13
As previous poster said the new 3rd edition is to be released in 2015. DO NOT GET PRICE GOUGED BY THESE SELLERS!! The new copy will have all color print while this 2nd ed is black and white. Unless this is a must have now wait until Cornell finishes the publication of the 3rd edition.

*UPDATE* - Cornell has dropped the ball again on the publishing date. They now expect to release the new edition in 2016.

29 of 30 people found the following review helpful.
Simply Wonderful
By Pablo Bridges
The folks at Cornell have done it again. This is a huge book, packed full of information, but it is also a joy to read. Even though it supplies plenty of the "encyclopedic" material, it's a bit reminiscent of David Attenborough's "Life of Birds" DVD, in that it highlight some of the "gee-whiz" aspects of birds, such as egg mimicry, artistic bower construction, lymphatic penises in ducks, and so forth. There was a surprising section on nocturnal birding by ear, which I had never seen addressed. They seem to have covered every topic and then some.

If you have only a casual interest in birds, this book may be overkill, but if you are a birder or ornithology student I'm sure you'll enjoy deepening your appreciation and understanding of birds with the help of this book.

54 of 54 people found the following review helpful.
Overpriced out of print, wait for 3rd ed
By Ben S.
Just FYI, I have only flipped through this book briefly and do not actually own a copy, though I would very much like to.

However, the current prices offered by third party sellers on this site and others are tremendously inflated. While the book is no longer in print, it was originally sold new by Cornell for $100. Obviously, prices like $300 for a used copy are a bit exorbitant. However, Cornell IS working on a 3rd edition that they will sell, so if you can wait, you will once again be able to purchase this book at a reasonable price sometime in the future.

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