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Engineering System Dynamics: A Unified Graph-Centered Approach, Second Edition, by Forbes T. Brown

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For today's students, learning to model the dynamics of complex systems is increasingly important across nearly all engineering disciplines. First published in 2001, Forbes T. Brown's Engineering System Dynamics: A Unified Graph-Centered Approach introduced students to a unique and highly successful approach to modeling system dynamics using bond graphs. Updated with nearly one-third new material, this second edition expands this approach to an even broader range of topics.

What's New in the Second Edition?
In addition to new material, this edition was restructured to build students' competence in traditional linear mathematical methods before they have gone too far into the modeling that still plays a pivotal role. New topics include magnetic circuits and motors including simulation with magnetic hysteresis; extensive new material on the modeling, analysis, and simulation of distributed-parameter systems; kinetic energy in thermodynamic systems; and Lagrangian and Hamiltonian methods. MATLAB® figures prominently in this edition as well, with code available for download from the Internet. This code includes simulations for problems that appear in the later chapters as well as code for selected thermodynamic substances.

Using a step-by-step pedagogy accompanied by abundant examples, graphs, illustrations, case studies, guided exercises, and homework problems, Engineering System Dynamics: A Unified Graph-Centered Approach, Second Edition is a text that students will embrace and continue to use well into their careers. While the first half of the book is ideal for junior-level undergraduates, the entire contents are suited for more advanced students.

• Sales Rank: #1480925 in Books
• Brand: Brand: CRC Press
• Published on: 2006-08-15
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.25" w x 2.50" l, 4.45 pounds
• Binding: Hardcover
• 1059 pages

Features

• Used Book in Good Condition

Review
"a state-of-the-art reference textpresents the most recent approaches to design-motivated modeling and analysis." -IASI Polytechnic Magazine Promo Copy te-of-the-art reference textpresents the most recent approaches to design-motivated modeling and analysis." -IASI Polytechnic Magazine Promo Copy

Most helpful customer reviews

0 of 1 people found the following review helpful.
I love this purchase
By Bangnhan87
I love this purchase. When I open the shipping - box, I see the paper with 'thank you' on that. It is so cute.
I recommend for people who study this book without code.
Thanks to the store.

0 of 2 people found the following review helpful.
Five Stars
By Amazon Customer
Just what was required. Thanks!

12 of 12 people found the following review helpful.
Intuitive Modeling
By H. Perowne
I have used this text for 2 years as part of the author's engineering systems's courses at Lehigh University. I think it is an outstanding pedagogical approach to energy-based modeling. While the focus is on Bond Graph methodology,the author stresses the art of applying fundamental insight and intuition to the modeling process. An attentive reader can develop a logical and simple, yet powerful, framework for modeling a wide variety of engineering eystems. Now that I am in graduate school, I think that the mindset I developed from this text gives me a unique advantage.
There are many interesting dynamic modeling problems, including aircraft carrier landings, eardrum vibrations and even MEMS to name a few. In most cases, extracting the differential equations governing the dynamic behavior becomes a very direct procedure, following the construction of the bond graph models.

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[W645.Ebook] Get Free Ebook The Insanity Defense: The Complete Prose, by Woody Allen

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Comprising the classic bestsellers Getting Even, Without Feathers, and Side Effects, this definitive collection of comic writings is from a man who needs no Introduction. Really–this book has no Introduction.

The Insanity Defense reveals many sides of Woody Allen as he holds forth on the most human of urges (“Why does man kill? He kills for food. And not only for food: frequently there must be a beverage”); reflects on death (“I don’t believe in an afterlife, although I am bringing a change of underwear”); and notes the effect on history wrought by trick chewing gum, the dribble glass, and other novelties. There is also an inspiring story of the futile race to beat Dr. Heimlich to the punch: “The food went down the wrong pipe, and choking occurred. Grasping the mouse firmly by the tail, I snapped it like a small whip, and the morsel of cheese came loose. If we can transfer the procedure to humans, we may have something. Too early to tell.”

All Woody Allen fans will cherish this uproarious treasury–and those who don’t enjoy The Insanity Defense are just plain crazy.

“If you don’t care if you break into helpless whoops of laughter on buses, trains, or wherever you happen to be reading it.”
–Chicago Tribune, on Without Feathers

“Brilliant flights of fancy whose comic detail and inspired silliness are at once dramatic and controlled.”
–The New York Times, on Side Effects

• Sales Rank: #233691 in Books
• Published on: 2007-06-12
• Released on: 2007-06-12
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .70" w x 5.20" l, .57 pounds
• Binding: Paperback
• 352 pages

From Booklist
Published simultaneously with Mere Anarchy (2007), these 40-plus previously published humorous sketches poke fun at Allen's classic targets: New York intellectuals, death, and Mr. Big—he's God, of course. Projecting personas is Allen's main technique across these stories, many of which contain allusions to the 1970s, when most of them were written. You want Studs Terkel? Allen satirizes his Hard Times in "Fine Times." How about Nazi memoirists? Allen gives you the recollections of Hitler's barber. Latin American revolutionaries were on the march, if somewhat ineffectually, in "Viva Vargas!" And if one's laughs come from satirizing such literary forms as the eulogy, commencement speech, or college course catalog, Allen is your parodist as well. Including mockery of collected works via a faux review of the collected laundry lists of the unjustifiably obscure Metterling, Allen perhaps barbs his own volume, which is the third time many of these pieces have seen publication. Nevertheless, it's a treasury of risibility for the Allen audience. Taylor, Gilbert
Copyright © American Library Association. All rights reserved

Excerpt. © Reprinted by permission. All rights reserved.
The Metterling Lists

Venal & Sons has at last published the long-awaited first volume of Metterling’s laundry lists (The Collected Laundry Lists of Hans Metterling, Vol. I, 437 pp., plus xxxii-page introduction; indexed; $18.75), with an erudite commentary by the noted Metterling scholar Gunther Eisenbud. The decision to publish this work separately, before the completion of the immense four-volume oeuvre, is both welcome and intelligent, for this obdurate and sparkling book will instantly lay to rest the unpleasant rumors that Venal & Sons, having reaped rich rewards from the Metterling novels, play, and notebooks, diaries, and letters, was merely in search of continued profits from the same lode. How wrong the whisperers have been! Indeed, the very first Metterling laundry list

List No. 1

6 prs. shorts

4 undershirts

6 prs. blue socks

4 blue shirts

2 white shirts

6 handkerchiefs

No starch

serves as a perfect, near-total introduction to this troubled genius, known to his contemporaries as the “Prague Weirdo.” The list was dashed off while Metterling was writing Confessions of a Monstrous Cheese, that work of stunning philosophi- cal import in which he proved not only that Kant was wrong about the universe but that he never picked up a check. Metterling’s dislike of starch is typical of the period, and when this particular bundle came back too stiff Metterling became moody and depressed. His landlady, Frau Weiser, reported to friends that “Herr Metterling keeps to his room for days, weeping over the fact that they have starched his shorts.” Of course, Breuer has already pointed out the relation between stiff underwear and Metterling’s constant feeling that he was being whispered about by men with jowls (Metterling: Paranoid-Depressive Psychosis and the Early Lists, Zeiss Press). This theme of a failure to follow instructions appears in Metterling’s only play, Asthma, when Needleman brings the cursed tennis ball to Valhalla by mistake.

The obvious enigma of the second list

List No. 2

7 prs. shorts

5 undershirts

7 prs. black socks

6 blue shirts

6 handkerchiefs

No Starch

is the seven pairs of black socks, since it has been long known that Metterling was deeply fond of blue. Indeed, for years the mention of any other color would send him into a rage, and he once pushed Rilke down into some honey because the poet said he preferred brown-eyed women. According to Anna Freud (“Metterling’s Socks as an Expression of the Phallic Mother,” Journal of Psychoanalysis, Nov., 1935), his sudden shift to the more sombre legwear is related to his unhappiness over the “Bayreuth Incident.” It was there, during the first act of Tristan, that he sneezed, blowing the toupee off one of the opera’s wealthiest patrons. The audience became convulsed, but Wagner defended him with his now classic remark “Everybody sneezes.” At this, Cosima Wagner burst into tears and accused Metterling of sabotaging her husband’s work.

That Metterling had designs on Cosima Wagner is undoubtedly true, and we know he took her hand once in Leipzig and again, four years later, in the Ruhr Valley. In Danzig, he referred to her tibia obliquely during a rainstorm, and she thought it best not to see him again. Returning to his home in a state of exhaustion, Metterling wrote Thoughts of a Chicken, and dedicated the original manuscript to the Wagners. When they used it to prop up the short leg of a kitchen table, Metterling became sullen and switched to dark socks. His housekeeper pleaded with him to retain his beloved blue or at least to try brown, but Metterling cursed her, saying, “Slut! And why not Ar- gyles, eh?”

In the third list

List No. 3

6 handkerchiefs

5 undershirts

8 prs. socks

3 bedsheets

2 pillowcases

linens are mentioned for the first time: Metterling had a great fondness for linens, particularly pillowcases, which he and his sister, as children, used to put over their heads while playing ghosts, until one day he fell into a rock quarry. Metterling liked to sleep on fresh linen, and so do his fictional creations. Horst Wasserman, the impotent locksmith in Filet of Herring, kills for a change of sheets, and Jenny, in The Shepherd’s Finger, is willing to go to bed with Klineman (whom she hates for rubbing butter on her mother) “if it means lying between soft sheets.” It is a tragedy that the laundry never did the linens to Metterling’s satisfaction, but to contend, as Pfaltz has done, that his consternation over it prevented him from finishing Whither Thou Goest, Cretin is absurd. Metterling enjoyed the luxury of sending his sheets out, but he was not dependent on it.



What prevented Metterling from finishing his long-planned book of poetry was an abortive romance, which figures in the “Famous Fourth” list:

List No. 4

7 prs. shorts

6 handkerchiefs

6 undershirts

7 prs. black socks

No Starch

Special One-Day Service

In 1884, Metterling met Lou Andreas-Salomé, and suddenly, we learn, he required that his laundry be done fresh daily. Actually, the two were introduced by Nietzsche, who told Lou that Metterling was either a genius or an idiot and to see if she could guess which. At that time, the special one-day service was becoming quite popular on the Continent, particularly with intellectuals, and the innovation was welcomed by Metterling. For one thing, it was prompt, and Metterling loved promptness. He was always showing up for appointments early—sometimes several days early, so that he would have to be put up in a guest room. Lou also loved fresh shipments of laundry every day. She was like a little child in her joy, often taking Metterling for walks in the woods and there unwrapping the latest bundle. She loved his undershirts and handkerchiefs, but most of all she worshipped his shorts. She wrote Nietzsche that Metterling’s shorts were the most sublime thing she had ever encountered, including Thus Spake Zarathustra. Nietzsche acted like a gentleman about it, but he was always jealous of Metterling’s underwear and told close friends he found it “Hegelian in the extreme.” Lou Salomé and Metterling parted company after the Great Treacle Famine of 1886, and while Metterling forgave Lou, she always said of him that “his mind had hospital corners.”

The fifth list

List No. 5

6 undershirts

6 shorts

6 handkerchiefs

has always puzzled scholars, principally because of the total absence of socks. (Indeed, Thomas Mann, writing years later, became so engrossed with the problem he wrote an entire play about it, The Hosiery of Moses, which he accidentally dropped down a grating.) Why did this literary giant suddenly strike socks from his weekly list? Not, as some scholars say, as a sign of his oncoming madness, although Metterling had by now adopted certain odd behavior traits. For one thing, he believed that he was either being followed or was following somebody. He told close friends of a government plot to steal his chin, and once, on holiday in Jena, he could not say anything but the word “eggplant” for four straight days. Still, these seizures were sporadic and do not account for the missing socks. Nor does his emulation of Kafka, who for a brief period of his life stopped wearing socks, out of guilt. But Eisenbud assures us that Metterling continued to wear socks. He merely stopped sending them to the laundry! And why? Because at this time in his life he acquired a new housekeeper, Frau Milner, who consented to do his socks by hand—a gesture that so moved Metterling that he left the woman his entire fortune, which consisted of a black hat and some tobacco. She also appears as Hilda in his comic allegory, Mother Brandt’s Ichor.

Obviously, Metterling’s personality had begun to fragment by 1894, if we can deduce anything from the sixth list:

List No. 6

25 handkerchiefs

1 undershirt

5 shorts

1 sock

and it is not surprising to learn that it was at this time he entered analysis with Freud. He had met Freud years before in Vienna, when they both attended a production of Oedipus, from which Freud had to be carried out in a cold sweat. Their sessions were stormy, if we are to believe Freud’s notes, and Metterling was hostile. He once threatened to starch Freud’s beard and often said he reminded him of his laundryman. Gradually, Metterling’s unusual relationship with his father came out. (Students of Metterling are already familiar with his father, a petty official who would frequently ridicule Metterling by comparing him to a wurst.) Freud writes of a key dream Metterling described to him:

I am at a dinner party with some friends when suddenly a man walks in with a bowl of soup on a leash. He accuses my underwear of treason, and when a lady defends me her forehead falls off. I find this amusing in the dream, and laugh. Soon everyone is laughing except my laundryman, who seems stern and sits there putting porridge in his ears. My father enters, grabs the lady’s forehead, and runs away with it. He races to a public square, yelling, “At last! At last! A forehead of my own! Now I won’t have to rely on that stupid son of mine.” This depresses me in the dream, and I am seized with an urge to kiss the Burgomaster’s laundry. (Here the patient weeps and forgets the remainder of the dream.)

With insights gained from this dream, Freud was able to help Metterling, and the two became quite friendly outside of analysis, although Freud would never let Metterling get behind him.

In Volume II, it has been announced, Eisenbud will take up Lists 7–25, including the years of Metterling’s “private laundress” and the pathetic misunderstanding with the Chinese on the corner.

Most helpful customer reviews

82 of 90 people found the following review helpful.
Don't buy this book, obtain the originals instead
By Cyril A. Barnert
I had already read Woody Allen's three previous books of essays ("Getting Even", "Without Feathers", and "Side Effects") and found them hilarious. But there is a serious problem in the subtitle of this book "The Complete Prose", even if the implication is meant to be that it is complete IF TAKEN TOGETHER WITH Woody's other 2007 publication, "Mere Anarchy". Despite its subtitle, "Insanity Defense" is NOT A COMPLETE COMPILATION OF THE FIRST THREE BOOKS, including only 46 of the 51 essays. The missing five (which are also not in "Mere Anarchy") are worthwhile and funny. Don't get me wrong--the 46 essays that are included are very good, but it does rankle me that they misleadingly claimed completeness. I recommend skipping "Insanity Defense" and obtaining the three original volumes via used-book sources, to go along with "Mere Anarchy".

0 of 0 people found the following review helpful.
Five Stars
By joann fynke
Good read!

8 of 9 people found the following review helpful.
Absolutely Brilliant
By New Hasselhoff
I first read the three collections compiled herein about 20 years ago. Then, as now, I found myself sputtering with convulsive laughter as I made my way through. I literally was afraid to read it around other people because I could not control my reaction. I've read a number of works of humor. Nothing has made me laugh out loud like this. The elegance of his language and the beautiful and profound absurdity is unparalleled. Pure gold.

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[F960.Ebook] Fee Download First Steps Drawing in Pen & Ink, by Claudia Nice

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Got a yearning to pick up a pen and see what you can do? Go for it! But don't sketch alone—let popular artist and teacher Claudia Nice be your guide. She'll make your first steps fun and successful!

In her trademark style—friendly and encouraging—Claudia will show you how to do a sketch of a subject that actually ends up looking like the subject. And she shares her secrets for turning simple lines and dots into all kinds of lifelike textures, including leaves, glass, hair, fruit, water, clouds, wood grain, grass, fur and feathers.

Easy (and fun!) exercises get you started. Step-by-step projects teach techniques as you draw trees, flowers, barns, animals and other subjects—even people! And demonstrations show you how to put all that you've learned together to create a finished picture.

So go ahead—grab that pen and have fun! Just follow along with Claudia to get the hang of it, and before you know it you'll be making your own, original pen-and-ink drawings!

• Sales Rank: #102421 in eBooks
• Published on: 1997-03-15
• Released on: 1997-03-15
• Format: Kindle eBook

About the Author
Popular among both fine artists and decorative painters, Claudia Nice is known for her friendly, unintimidating art instruction. With over 400,000 copies sold, her nine bestselling North Light titles include Creating Textures in Pen and Ink with Watercolor, How to Keep a Sketchbook Journal, and most recently, Creating Creatures of Fantasy and Imagination.

Most helpful customer reviews

61 of 64 people found the following review helpful.
An excellent guide for a newbie
By Wyll & Kristy Irvin
Having picked up a drawing pen after many long years (actually my last drawing instrument was a made by Crayola!) I found this book to be very helpful in learning the basics, fiding materials, and simply getting started. I have found it worth every cent I paid for it.

26 of 26 people found the following review helpful.
This is the one to get
By Kindle Customer
for overall pen and ink learning from beginning to mastery. I've been drawing a lot lately, using various instruction books, and this is the best general pen and ink art book I've found. It is a substantial, well-written book and worth the price.

I like pen-and-ink because of the look of the definite lines, and interesting textures that can be achieved, and the wonderful way it combines with color washes (this topic is covered in other books). I also like drawing with ink because it avoids the draw, erase-redo, repeat habits that I was getting, and forces one to think and look carefully before starting to draw. Claudia Nice demonstrates seven basic pen strokes and then expands on them, and gives some projects utilizing these strokes, and, eventually, demonstrates several very detailed finished compositions, using a variety of subjects. She does a great job teaching how to make textures using the seven stroking techniques--crosshatch, stippling, wavy lines, etc.

By way of introduction to this medium she discusses materials needed, including the "technical pen". I am currently drawing with Pitt artist pens in three widths, but am looking forward to getting a some of technical pens--most likely a set of seven Rapidograph ones, which you can get here on Amazon--for even better results.

With this book in hand, as well as pens and paper, one can learn a lot and have success. Also, I would like to suggest a couple of other books to round out the experience, if you wish. For a more thorough background and understanding, "Drawing for the Absolute and Utter Beginner" is best. The author, Clair Watson Garcia, is a great teacher for someone starting out, or going back--she spends a lot of time teaching you how to "see as an artist" and do line drawings in ink of things around you, rather than copying everything from a book, and before going into values, techniques, etc. Lastly, I have ordered "Keys to Drawing with Imagination..." by Bert Dodson, after looking through it in a bookstore. He does a lot with pen-and-ink, too, and I'm looking at this book as a way to expand my originality after learning techniques and practicing examples in books.

Happy Drawing!

25 of 25 people found the following review helpful.
decent guide to pen and ink
By bleary eyed
I am new to pen and ink with a background in illustration as a pastime. I have purchased other claudia nice books and this is probably her best book for beginners in pen and ink. Unlike Guptill's book on pen and ink, this book offers less written instructions and more examples of pen and ink artwork, with short comments and instructions. For example, I like Claudia's comments on a basic stroke technique, crosshatching, she suggests are are great for "adding roughened texture, deepening shadows", along with an illustration of how crosshatching is used to that effect. That said, for a First Steps, I would have liked it if she had shown additional steps, instead of the 2-4 which goes from: sketch, to detailed sketch, to completed ink and pen work (beautiful as it is). I would have liked more steps between detailed sketch and completed ink and pen, how did she build up tone and highlights, etc.? BTW, you will find the same illustrations and instructions repeat in her other books. I would still recommend this book and would also suggest if you can't afford the entire wonderful set of Rapidograph pen, you can start with the .25 which is the one I use most often (for smaller size artwork). I wish there was a comprehensive pen and ink book out there. Hope this helps.

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[E758.Ebook] Download PDF International Economics by Pugel, Thomas, by THOMAS A. PUGEL

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• Sales Rank: #2590856 in Books
• Published on: 2004
• Format: Import
• Original language: English
• Number of items: 1
• Dimensions: 9.13" h x 7.28" w x 1.02" l, 1.10 pounds
• Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
I like this book so much

0 of 0 people found the following review helpful.
Five Stars
By Staci
received on time and no issues

1 of 1 people found the following review helpful.
Good Intro to International Economics
By A Customer
I used this book for my international economics undergraduate course and found it easy to understand; it doesn't use lengthy mathematical formulas but utilizes basic macroeconomic theories. The authors organized this book well; the later chapters build upon the beginning ones. However, it would be best to have taken Intermediate Macroeconomics before using this book because the last few chapters rely heavily on a good understanding of intermediate level material.

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[M780.Ebook] Download Sweet as Sin: The Unwrapped Story of How Candy Became America's Favorite Pleasure, by Susan Benjamin

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READERS WITH AN INTEREST IN THE HISTORY OF FOOD
AND AMERICANA WILL SAVOR THIS CULTURAL HISTORY

There’s more to candy than its sugary taste. As this book shows, candy has a remarkable history, most of it sweet, some of it bitter. The author, a food historian and candy expert, tells the whole story—from the harvesting of the marshmallow plant in ancient Egypt to the mass-produced candy innovations of the twentieth century. Along the way, the reader is treated to an assortment of entertaining facts and colorful characters. These include a deposed Mexican president who ignited the modern chewing gum industry, the Native Americans who created pemmican, an important food, by mixing fruit with dried meat, and the little-known son of a slave woman who invented the sugar-processing machine still in use today.

Susan Benjamin traces people’s changing palate over the centuries as roots, barks, and even bugs were savored as treats. She surveys the many uses of chocolate from the cacao bean enjoyed by Olmec Indians to candy bars carried by GIs in World War II. She notes that many candies are associated with world’s fairs and other major historical events. 
 
Fun and informative, this book will make you appreciate the candy you love even more by revealing the fascinating backstory behind it.

• Sales Rank: #118839 in Books
• Published on: 2016-03-15
• Released on: 2016-03-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 5.90" l, .81 pounds
• Binding: Paperback
• 315 pages

Review
“Who knew candy was so closely interwoven with the very fabric of American culture? Sweet as Sin takes us on a stirring journey through the evolution of confections, from the early innovations of the Native Americans to the industrialized candy craze of the twentieth century. Infused with wit and candor, the writing explores the intriguing backstory of our guiltiest pleasure and the extraordinary relationship between candy and American history.”

—Tucia Lyman, television director, and executive producer for historic recreations


“Here’s what is so fantastic about Sweet as Sin: you think you’re just going to be reading about the history of candy, but intertwined you find so many untold stories of the history of America. Sweet as Sin is filled with exciting stories of slavery, spies, inventors, and men and women who helped shape and define America in their quest to succeed; and how glad are we that they did? Thanks to them we have delicious, heavenly sweet candy, in every size, shape, color, and flavor! Sweet as Sin will be the ‘candy bible’ in my museum stores. Thank you, Susan Benjamin, for making my job so much fun!”

—Michele Schulz, visitor services manager, Days of ’76 Museum

“Susan Benjamin has delivered a witty and charming account of candy’s rise to sweetheart status in American society. Shifting between personal anecdotes and big-picture narrative, Sweet as Sin provides an engaging blend of micro- and macro-history. This book claims to be a history of candy, but actually delivers more than it promises, serving up healthy doses of social, cultural, and environmental history along the way. I thoroughly enjoyed it, and I appreciated the author’s efforts to preserve both the history of candy and the memories she and so many other Americans associate with confections.”

—Dr. Keith Alexander, assistant professor of history, Shepherd University

“Sweet as Sin is a delightfully delicious look at the history of candy. It is a wonderful journey from start to finish and is filled with intriguing facts, pictures, and anecdotes. This is a must-read for anyone with a sweet tooth!”

—Jonathan Clough, director of marketing, SWEET! Hollywood 

“Superbly sweet! Benjamin brings her passion and love for all things sweet and delivers a meticulous account of how candy became a powerful force in our early and modern societies. Every candy connoisseur can revisit the sweets of their youth in detail.”

—Steve Weiss, competitive chef and sugar artist on Food Network and director, Blue Ridge Community and Technical College culinary program 

“Who knew that a book on candy could contain so much fascinating history? Susan Benjamin’s wonderfully written chronicle of America’s love affair with candy is edifying, entertaining, and delicious!”
—Susan Erony, independent scholar of art history

About the Author
Susan Benjamin is a candy historian and owner of True Treats Candy, the nation’s only research-based historic candy company. Benjamin gives candy-tastings and talks to museums, historic societies, and other venues throughout the nation and consults with television shows and museums, among others. She has appeared on Fox News, NBC News, Voice of America, and many other radio and television productions, including a history-based production on Destination America. Articles about her work have appeared in such places as the Pittsburgh Post-Gazette, the Arizona Republic, and the Sacramento Bee, and True Treats Candy was listed by Food Network Magazine as one of the nation’s top 50 “Sweet Spots.” This is her tenth book.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Coylene T.
I'm still reading it very funny makes you want candy while reading it lol

0 of 0 people found the following review helpful.
Great read!
By JACQUELYN GANN
I absolutely love this book! There's a lot to digest and I haven't had a lot of time to read lately but thoroughly enjoyed this book, sorry it took me so long to get back to it since it is now August and it was released in March. The author was engaging and did their homework. This one might even be a reread which I don't do often. I received this book as an advanced reader copy from [...]

2 of 2 people found the following review helpful.
Sweet as Sin a Sweet Surprise!
By Amazon Customer
A must read the research is spot on, the book will suck you right back into your grandma's kitchen making candy. Personal heartfelt and well written loved it...

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[Y712.Ebook] Download Ebook Orange Flower Water - Acting Edition, by Craig Wright

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• Sales Rank: #864308 in Books
• Published on: 2005-01-01
• Original language: English
• Dimensions: 7.50" h x 5.25" w x .25" l, .10 pounds
• Binding: Paperback
• 72 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Blistering Drama
By Lee Armstrong
Craig Wright's "Orange Flower Water" is a play in nine scenes that premiered at the Jungle Theatre in Minneapolis in July 2002. The play sparkles with blistering dialogue about infidelity and the consequences of a romantic affair. Brad & Beth are married. Brad is a boastful jerk who gives people little reason to love him. His wife Beth is having an affair with the pharmacist David. The scene of Brad & Beth's breakup is a bruising dramatic piece, ending with Brad phoning David's wife Cathy to inform her that her husband is having an affair with his wife. David's wife Cathy is a dutiful soccer mom who plays a parting love scene that would make many a soccer mom blush. The play bounces to a sad conclusion as houses all fall down. If conflict is the essence of drama, Wright boils over with it. The play is also included in the anthology New Playwrights: The Best Plays of 2002 (New Playwrights). This is an excellent piece of high drama with great two person scenes throughout. Enjoy!

4 of 7 people found the following review helpful.
Interesting...
By J. Vernon
This is an interesting little one-act. I bought it so I could audition for it because I always read the script before I do if it is something I have never heard of. All in all, a fine little piece that shows the true ugliness of adultry. Amazon is where I always turn to make sure I can get hard-to-find plays on time and in good condition.

0 of 0 people found the following review helpful.
Thoughtful, Creatively Staged Play
By Blair A. Russell
Although the subject matter of Orange Flower Water is not necessarily groundbreaking, the way it is staged here allows you to take a whole new look at it. The characters also bring something new to the table allowing you to see what would make someone become one of "those people" I thoroughly enjoyed this play.

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